A woman with dark, shoulder-length hair looking down in a dimly lit room, wearing a black polka-dotted shirt and a beige top.

KEEP RETURNING TO EVERYDAY PRACTICE OF

I work at the intersection of dance, art, pedagogy and psychosomatic fasciatherapy. Trained as both a dancer and a practitioner, I value practice-led learning.

Rooted in phenomenology, Perceptual Pedagogy works with the plasticity of perception and its capacity to be transformed — turning felt experience into a legitimate rhizome of embodied knowledge, not just raw material. It combines manual relational touch — working with the connective tissues — sensorial movement, and dialogue.

Daily life and personal history are woven into my work, both as an artist and as a psychosomatic practitioner caring for others. Their gesture and mine intertwine, opening onto new perspectives.

I'm interested in how expanding our sensorial perception can become a way of recuperating desire and attention from capture, from being capitalised, from being fixed.

attention

reconfiguration

staying with the trouble*

connection

purpose

time

pedagogy

nurturing

queering perceptions

eropolitics**

*inspired by Donna Haraway

** inspired by Myriam Bahaffou

dance · somatics · research · performance · fasciatherapy · attention · writing · interacting with inner partners · traces and fabrics · embodied knowledge · full presence practice · collaborations · ecofeminism ·

*

dance · somatics · research · performance · fasciatherapy · attention · writing · interacting with inner partners · traces and fabrics · embodied knowledge · full presence practice · collaborations · ecofeminism · *

A woman with shoulder-length dark hair, closed eyes, and a content smile looking slightly to the side, wearing a textured sweater, indoors with dark wall in background.
Two people with bare feet standing on a large white surface with black and blue paint splatters and lines, possibly an indoor sports court or art space.